Where a European school might differ from another on basic technical grounds, a Japanese school is more likely to define its differences in terms of how to achieve an end result (e.g. Due to the consistent nature of katanas, the design change in which is near negligible compared to alterations in European swords, the Japanese schools differentiate from one-another on much more subtle basis. If one were to compare schools of Japanese fencing to schools of European fencing, one would find many similarities, but also significant differences. Because of this, we know a lot more about how the samurai used their weaponry in battle than we do about how knights and men-at-arms of Europe used theirs, despite the misconceptions surrounding Japanese weaponry and the growing body of knowledge of European swordplay. ![]() Kenjutsu schools often have a well-preserved lineage, unlike, sadly, their European counterparts. Like all types of propaganda, the anecdotes about users of the katana have some basis in fact, with the amount of truth varying from source to source. The way most popular fiction tells it, a seasoned master of the Japanese sword can not only perform nigh-impossible feats but do things that outright defy physics and logic, sometimes even bordering on Supernatural Martial Arts. Kenjutsu is the historical conglomerate of Japanese sword arts, sometimes referred to as JSA.
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